Paul Fischer : Now, I guess as they say in the classics, it’s a long time between drinks. It’s been a while since you had a movie in the can. Is it because you’re selective or because it didn’t feel right to do anything straight after the last one?
Scott Hicks: Well there are a number of reasons. One is that I just, after the last one, I just decided I wanted to spend a little more time at home and the long absences that you have when you’re making a movie in another part of the world, I just wanted to take a little break from that. And also at the same time I got enticed into the world of American television commercials, which I found really very intriguing and fascinating. And it meant that I could come and go for short periods. So it filled a need in the sense of I wanted to spend more time at home.
(...)
To be continued on the interview by Moviehole.net
ComingSoon.net: What struck each of you about this script when you first read it?
Aaron Eckhart: There are so many things about this movie, so many different layers between the food and the love and loss, the healing. How food can help you heal. How music can, too. My character's philosophy of life is so breezy and fluid and just has a really more relaxed way of life as opposed to Catherine's character Kate, and how we can help each other and how all of it is all intertwined. Then, Scott directing it, he was just a perfect fit, and then Catherine of course, it was like the whole package. For me, I really was very happy to be in this film for all of those reasons.
Catherine Zeta-Jones: I think that what the film also says quite clearly is that it's not just bereavement, but it's that you have to heal. It's the way that you conduct your life, the way that you look at the world outside, how blinkered and how self-centered in a way that we can be and how through different relationships and sometimes through grief you're able to heal and come out on the other side stronger and happier and with a different life than you ever imagined you could possibly have.
(...)
Interviews to be continued here on Comingsoon.net
Extraits sur "Blackfilms"Des extraits qui montrent que Hicks a semble t'il réalisé un film dans la même tonalité dramatiques que ses précédents, avec une grande classe visuelle (de belles recherches de compositions, la même approche des acteurs délicates et recherchées dans les gros plans) qui va changer de la mise en scène assez anodine du film original. Maintenant, est-ce que le public va suivre? Le film semble comme d'habitude chez Hicks avoir ce rythme lancinant, voir un peu déprimant, qui change aussi d'Hollywood et ses comédies romantiques.
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